Original Article

The Ear and the Nose in literary parodies. The “Hymn of Deafness” by Du Bellay and “The Nose” by Gogol

Volume 7 · Issue 4 Publish Date: December 15, 2011
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J. Tainmont
Winston Churchill Avenue 172, P.O. Box 9, 1180 Brussels, Belgium
Tainmont, J. (2011). The Ear and the Nose in literary parodies. The “Hymn of Deafness” by Du Bellay and “The Nose” by Gogol. B-ENT, 7(4), 309–317. Retrieved from https://www.b-ent.be/index.php/pub/article/view/400
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Abstract

The Ear and the Nose in literary parodies. The “Hymne de la surdité” (The Hymne of Deafness) by Du Bellay and “The Nose” by Gogol. Literary parody is a mode of expression characterized by irony. Every people, every language showcases its own genius in it. Du Bellay practices self-mockery. Gogol opts for a comic marked by the fantastic. Nevertheless, in both cases, parody is but a means to hide misery: behind its mask, human suffering is hinted at (Figures 1,2).

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Article Info
Published In
Journal B-ENT
Volume / Issue Volume 7 · Issue 4
Pages 309-317
History
Published Online December 15, 2011
Affiliations
J. Tainmont
Winston Churchill Avenue 172, P.O. Box 9, 1180 Brussels, Belgium
Cite this Article
Tainmont, J. (2011). The Ear and the Nose in literary parodies. The “Hymn of Deafness” by Du Bellay and “The Nose” by Gogol. B-ENT, 7(4), 309–317. Retrieved from https://www.b-ent.be/index.php/pub/article/view/400
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